Past Exhibitions
Printed Sculpture/Sculpted Prints
November 14, 2007–March 30, 2008
Approximately 28 works from the BMA's outstanding print collection, as well as two related, small-scale statues explore how sculpture was represented in European prints from the mid 16th through 18th centuries. Images of some of the most famous classical and Renaissance sculptures in Europe are included, from a pair of woodcuts showing Giambologna's Rape of the Sabines to delicate but powerful renderings of Michelangelo's early Pieta and his late Lamentation. Printmakers imbued these two-dimensional works with as much grandeur as their three-dimensional counterparts by introducing narrative settings, inventive shadowing and coloring devices, and new production techniques to challenge other genres and elevate printmaking as an art form. Students from The Johns Hopkins University worked closely with BMA Staff to produce the exhibition, acting as curators, designers, educators, and marketers for the project.
This exhibition is guest curated by Elizabeth Rodini, BMA Adjunct Associate Curator of Prints, Drawings & Photographs, Associate Director of the Program in Museums & Society and Senior Lecturer in History of Art, The Johns Hopkins University.
This exhibition is generously supported by Amy and Chuck Newhall and The Krieger School of Arts and Sciences of The Johns Hopkins University.
Rodin: Expression & Influence
August 1, 2007–April 6, 2008
The Modern Masters Series at the BMA continues with this intimate one-gallery exhibition exploring the sculptural legacy of Auguste Rodin. The exhibition showcases nearly 30 works from the BMA's collection by Rodin and artists such as Edgar Degas, Auguste Renoir, and Pablo Picasso that draw attention to Rodin's expressive variations, while tracing the ways in which his artistic process charted new territory and both inspired and provoked reaction from his contemporaries. Highlights include Rodin's The Thinker, four bronze casts of the great French writer Honoré de Balzac, a bust of Rodin's long-time companion Rose Beuret, figure studies from The Burghers of Calais, and two figures for The Gates of Hell. Many of these works are on view for the first time and will be accompanied by a selection of works on paper.
The exhibition is curated by Associate Curator of European Painting and Sculpture Dr. Oliver Shell. The exhibition is generously supported by Stiles Tuttle Colwill and Jonathan Gargiulo.
Front Room: Ellsworth Kelly
November 14, 2007–February 17, 2008
The BMA's Front Room series continues with a focus exhibition featuring an arrangement of select paintings and works on paper from this influential artist. Following on the heels of the densely packed Ripple Effect, this exhibition takes a close look at several major works by Kelly drawn from the Museum's collection as well as private collectors in the Baltimore area. Kelly's powerful shaped canvases, which defied traditional notions of framing and symmetry in paintings, will transform the Front Room into a spare and spacious environment for viewing art, and one that allows the sculptural dimension of his work to come forth.
The exhibition is curated by Darsie Alexander, BMA Senior Curator of Contemporary Art.
The Front Room series is generously sponsored by The Rouse Company Foundation.
Matisse: Painter as Sculptor
October 28, 2007–February 3, 2008
The Baltimore Museum of Art presents a once-in-a lifetime opportunity to see this major retrospective of one of the greatest artists of the 20th century. Featuring more than 160 sculptures, paintings, and drawings Matisse: Painter as Sculptor brings together works rarely shown together—many on loan from major museum collections such as the Centre Pompidou in Paris, the Musée Matisse in Nice, The Art Institute of Chicago, and the Museum of Modern Art in New York.
The national tour of Matisse: Painter as Sculptor is presented by Bank of America, the exhibition's exclusive corporate partner.
Presentation in Baltimore is generously sponsored by The Rouse Company Foundation and Jeanette C. and Stanley H. Kimmel.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Additional organizing support is provided by the National Endowment for the Arts, The Richard C. von Hess Foundation, and The Pierre and Maria-Gaetana Matisse Foundation.
NUNO: Japanese Tradition/Innovation in Cloth
March 28–October 7, 2007
Free exhibition
Since its founding in 1984, NUNO, headed by Reiko Sudo, has become one of Japan’s most influential and innovative textile producers. NUNO fabrics are known for the unconventional materials and processes used in their creation, linking traditional textile techniques with state-of-the art manufacturing technologies. The BMA will display more than a dozen examples of these beautiful contemporary textiles from its collection, including pleated and folded textiles inspired by the Japanese art of origami, or folding paper, woven fabrics whimsically printed with scattered rubber bands, and layers of transparent silk interwoven with strips of paper or printed with metallic paints.
This exhibition is curated by BMA Curator of Decorative Arts for Textiles Anita Jones.
This exhibition is supported by the BMA's Venable Exhibition Endowment Fund.
Front Room: Ripple Effect
May 30–September 2, 2007
Each new work that enters the BMA collection has a ripple effect. New acquisitions often force us to reconsider works we thought we knew well, as well as provide a fresh perspective on old friends. Other times a single work can open up potential paths for growth, building an unexpected bridge between the collection and artistic trends. Thomas Hirschhorn’s Chandelier with Hands (2006) is one such work. Using this work as a visually powerful springboard that communicates through its materials and iconography, Front Room: Ripple Effect brings together contemporary and historical works from the collection that share fundamental features with this piece, such as the presence of hands, crosses, and bodies. Arranged like a horizontal flowchart, the installation allows these themes to take on a life of their own, ebbing and flowing in a series of links that pull disparate works together compelling combinations.
The exhibition is curated by Darsie Alexander BMA Senior Curator of Contemporary Art.
The Front Room series is generously sponsored by Stiles Tuttle Colwill, Nancy Dorman, Katherine M. Hardiman, and Elaine and Solomon Snyder.
Meditations on African Art: Color
April 18–August 19, 2007
Free exhibition
The second in a three-part series exploring light, color, and pattern in the BMA’s distinguished collection of African art, Meditations on African Art: Color is the first exhibition of its kind to explore the symbolism of the African color trinity of red, black, and white. The exhibition showcases 30 rarely seen masks from the BMA’s collection, grouped by color on the gallery walls along with a display of tri-color masks in the center of the gallery, and a site-specific installation by Tunisian-born Swiss artist Fatma Charfi.
This exhibition is curated by Karen Milbourne, BMA Associate Curator of the Arts of Africa, Asia, the Americas & Pacific Islands.
The Meditations series is generously sponsored by Polk Audio, Matthew Polk and Amy Gould.
The Janet & Walter Sondheim Prize Finalists:
Artscape at the BMA
June 23–August 5, 2007
In conjunction with Artscape, Baltimore’s premier arts festival, the BMA presents a special exhibition of the seven finalists for The Janet & Walter Sondheim Prize, which is organized by the Baltimore Office of Promotion & The Arts. The winner of this year's $25,000 prize is Tony Shore, a Baltimore-based artist best known for his large paintings on black velvet. The finalists in the exhibition—Richard Cleaver, Frank Hallam Day, Eric Dyer, Geoff Grace, Baby Martinez, Tony Shore, and Karen Yasinsky—were chosen by an independent panel of jurors: Derrick Adams, New York-based artist; Becky Smith, Owner & Director of Bellwether Gallery in New York; and Robert Storr, Commissioner of the 2007 Venice Biennale, Curator and Dean of the Yale University School of Art.
This prestigious award is named after the late Baltimore civic leader Walter Sondheim and his late wife, Janet. Sondheim’s enormous impact on Baltimore included overseeing desegregation of the City schools in 1954, and championing the redevelopment of the Inner Harbor in the 1970s.
Front Room: Luisa Lambri
March 7–May 20, 2007
Free exhibition
Italian photographer Luisa Lambri, best known for her subtle images of architectural landmarks, trains her camera on a local home designed by influential modernist Marcel Breuer. The latest in a series of installations in the BMA’s new experimental project space, Front Room: Luisa Lambri features nine laserchrome color prints that reveal subtle changes in environment over the course of a day in Hooper House II, a Bauhaus-style home built in a wooden sanctuary on the edge of Baltimore City in the 1950s.
Front Room is curated by BMA Senior Curator of Contemporary Art Darsie Alexander.
The Front Room series is generously sponsored by Stiles Tuttle Colwill, Nancy Dorman, Katherine M. Hardiman, and Elaine and Solomon Synder.
Pissarro: Creating the Impressionist Landscape
February 11–May 13, 2007
Ticketed exhibition with complimentary audio tour.
You never get a second chance to see one of the first Impressionists. Baltimore is the only East Coast venue for this exhibition exploring the luminous landscapes of Camille Pissarro. The first major exhibition to explore Pissarro’s remarkable transformation from a traditional landscape painter to a daring pioneer of Impressionism brings together 45 exquisite works from major museums and private collections around the world—from important paintings included in the Salon exhibitions of the 1860s to a powerful selection of landscapes seen in the first Impressionist show of 1874.
The exhibition is generously supported by the Florence Gould Foundation and The Alvin and Fanny Blaustein Thalheimer Exhibition Endowment Fund.
Citigroup is the corporate sponsor of the exhibition.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities and a grant from the National Endowment for the Arts
Meditations on African Art: Light
December 17, 2006–April 1, 2007
Free exhibition
The first exhibition in a three-part series that explores light, color, and pattern in objects from the BMA’s distinguished collection of African art, Light features more than 40 works, including a recently acquired contemporary bead painting by Yoruba artist Jimoh Buraimoh and the BMA's world-renowned Baga D'mba (seen in the round for the first time in decades). Varying light levels in the galleries will reveal the objects as they were meant to be viewed, including vibrant works of art intended to radiate spiritually, those that were meant to dazzle during sunlit performances, and pieces intended for the shadows or nighttime performances. The BMA has also invited internationally renowned Ethiopian video artist Theo Eshetu to create a contemporary light-based work for the gallery.
This exhibition is curated by Karen Milbourne, BMA Associate Curator of the Arts of Africa, Asia, the Americas & Pacific Islands.
The Meditations series is generously sponsored by Polk Audio, Matthew Polk and Amy Gould.
The City Real and Ideal
October 11, 2006–March 11, 2007
This exhibition brings together approximately 50 printed images of European cities—from 15th-century woodcut book illustrations to large-scale 18th-century etchings—to explore how artists such as Albrecht Dürer, Canaletto, and Giovanni Battista Piranesi imagined and interpreted the urban landscape. Drawn primarily from the BMA’s collection, the exhibition will explore urban imagery from two points of view: the growing interest in accurate documentation—the “real”—and the treatment of the city space as symbol and metaphor—the “ideal.”
This exhibition is guest curated by Elizabeth Rodini, BMA Adjunct Associate Curator of Prints, Drawings & Photographs, Associate Director of the Program in Museums and Society and Senior Lecturer in History of Art, The Johns Hopkins University.
The City Real and Ideal is generously supported by Mr. and Mrs. Charles W. Newhall III and The Johns Hopkins University.
Front Room: Dan Steinhilber
October 1, 2006–February 18, 2007
The first gallery of the West Wing for Contemporary Art becomes an experimental project space for a variety of dynamic art experiences, from site-specific installations by individual artists to thematic exhibitions that incorporate objects from the Museum's outstanding collection of contemporary art. Washington, D.C.-based artist Dan Steinhilber, best known for combining disposable objects into intriguing sculptures and installations, initiates the space with a new work created specifically for the site—a mesmerizing kinetic sculpture made of undulating and whirling Styrofoam packing peanuts set into motion by industrial fans and leaf blowers.
Front Room is curated by BMA Senior Curator of Contemporary Art Darsie Alexander.
The Front Room series is generously sponsored by Stiles Tuttle Colwill, Nancy Dorman, Katherine M. Hardiman, and Elaine and Solomon Snyder.
In Praise of the Prince of Fenyang:
Decoding a Chinese Embroidery
June 28 , 2006–February 4, 2007
The BMA displays an elaborately embroidered 10- by 7-foot silk panel featuring a panoramic view of the 80th birthday celebration of China’s Prince of Fenyang. Made during the Qing dynasty (1644–1911), the intricate scene takes the viewer through the gates of the palace and past dancers, musicians, and revelers to the feet of the prince himself—all pictured in colorful embroidery on a dramatic red background. This one-gallery exhibition deciphers the hidden language of this extraordinary textile from the BMA’s collection.
This exhibition is curated by BMA Curator of Decorative Arts for Textiles Anita Jones.
This exhibition is made possible by the Jean and Allan Berman Textiles Endowment Fund.
A View Toward Paris:
The Lucas Collection of 19th-Century French Art
October 1–December 31, 2006
This exhibition features approximately 200 paintings, sculptures, works on paper, and artist palettes from the BMA’s acclaimed Lucas Collection of French art, showcasing works by renowned artists such as Édouard Manet, James McNeill Whistler, and Mary Cassatt, as well as Barbizon masters Théodore Rousseau and Jean-Baptiste-Camille Corot. Baltimorean George A. Lucas, an expatriate who spent five decades in Paris as an art dealer and friend to many of the leading French artists, amassed more than 20,000 works of art that capture the artistic spirit of the 19th century. This year the BMA celebrates the 10th anniversary of the acquisition of the Lucas Collection.
This exhibition is curated by BMA Senior Curator of European Painting & Sculpture Sona Johnston.
This exhibition is generously sponsored by Brown Advisory. Additional support is provided by the Joseph and Harvey Meyerhoff Family Charitable Funds and the William G. Baker, Jr. Memorial Fund.
Henry Ossawa Tanner Exhibition Series
The BMA presents two exhibitions on the work and influence of Henry Ossawa Tanner, one of the most important African-American painters of the 20th century and the first to achieve international acclaim.
Henry Ossawa Tanner and the Lure of Paris
December 7, 2005–May 28, 2006
Henry Ossawa Tanner and the Lure of Paris brings together works by Tanner—including major paintings on loan and works recently acquired by the Museum—with more than 40 paintings, prints, and drawings from the BMA's renowned collection of 19th-century French art, including works by Camille Pissarro, Eugène Delacroix, and Jean-Baptiste-Camille Corot. Tanner spent more than half his life in France and was inspired by a broad range of artistic styles. The exhibition explores his fascination with religious subjects, landscapes, and Orientalism.
This exhibition is generously sponsored by the Museum Loan Network and M&T Bank.
Additional support is provided by the Henry Luce Foundation and Jackie and Freeman Hrabowski.
Henry Ossawa Tanner and His Influence in America
June 7–November 26, 2006
Henry Ossawa Tanner (1859–1937) welcomed the younger generation into his Parisian studio to give them advice and encourage their careers. This exhibition explores how Tanner’s achievements inspired those artists who returned home to search for their own racial and artistic identities in 20th-century America and features six paintings by Tanner alongside approximately 30 paintings, prints, drawings, and photographs from the BMA’s collection by some of the foremost African-American artists of the 20th century, including Hale Woodruff, Jacob Lawrence, James Van Der Zee, and Romare Bearden. This is the second in a series of exhibitions that highlight the art, life, and influence of Henry Ossawa Tanner.
This exhibition is guest curated by James Smalls, Associate Professor of Art History at the University of Maryland, Baltimore County.
This exhibition is generously sponsored by the Museum Loan Network and M&T Bank. Additional support is provided by the Henry Luce Foundation.
Matisse: Jazz
May 3–August 27, 2006
The Baltimore Museum of Art presents a focus exhibition of Henri Matisse’s illustrated book Jazz (1947), widely recognized as one of the greatest masterpieces among artists' books of the 20th century. Matisse: Jazz, a one-gallery exhibition, features 20 folios displayed in cases, accompanied by several related paintings and works on paper by Pablo Picasso, Georges Rouault, and Fernand Léger.
Image: Henri Matisse. The Circus, plate II from Jazz. 1947.The Baltimore Museum of Art:The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland, BMA 1950.12.745 ©2007 Succession H. Matisse, Paris/Artists Rights Society (ARS)
Picasso: The Final Years
January 11–April 16, 2006
At the end of his life, Pablo Picasso was one of the most famous artists in the world. This one-gallery exhibition—an exploration of his post-war creativity from 1945 until 1968—reveals his continuing genius late in his career through powerful and experimental works on paper highlighting the BMA's collection of more than 250 works by Picasso, including a comprehensive holding of the artist's printmaking spanning 1899–1968. Picasso often returned to his past work as a catalyst for new ideas, a practice that is especially engaging in his late work. His most frequent theme is the artist in the studio, the culmination of a lifelong self-examination of the creative spirit.
This exhibition is curated by Jay Fisher, BMA Deputy Director for Curatorial Affairs and Senior Curator of Prints, Drawings & Photographs.
The BMA’s Modern Masters Series is generously sponsored by Mercantile Bank & Trust.
Monet’s London: Artists’ Reflections on the Thames,
1859-1914
October 2–December 31, 2005
This is the first exhibition in the U.S. to showcase a selection of Monet's London masterpieces alongside works by contemporaries James McNeill Whistler, Camille Pissarro, and others inspired by the city's misty atmosphere and grand architecture. Featuring more than 125 paintings, watercolors, prints, and photographs by European and American artists fascinated by London at the dawn of the 20th century, Monet's London brings together works from The Baltimore Museum of Art, The Metropolitan Museum of Art, the Victoria and Albert Museum, the National Gallery in London, and many other national and international collections, both public and private.
The exhibition is organized by the Museum of Fine Arts, St. Petersburg, Florida, and curated by Chief Curator Jennifer Hardin. It travels to Baltimore after presentations at the Museum of Fine Arts, St. Petersburg, Florida, and the Brooklyn Museum, New York.
The Baltimore presentation of the exhibition is supported by a generous gift from The Richard C. von Hess Foundation.
The exhibition is organized and circulated by The Museum of Fine Arts,
St. Petersburg, Florida, and has received indemnification from the
Federal Council on the Arts and the Humanities.
British Airways is the official airlines of the exhibition.
The Essence of Line: French Drawings from Ingres to Degas
June 19–September 11, 2005
For the first time, the renowned collections of 19th-century French drawings from The Baltimore Museum of Art and The Walters Art Museum are the subject of a major joint exhibition on view at both museums. The Essence of Line: French Drawings from Ingres to Degas features more than 150 drawings and watercolors by some of the most influential French artists of the 19th century, including Eugène Delacroix, Honoré Daumier, Paul Cézanne and Edgar Degas. From revealing preparatory sketches to beautiful finished watercolors, these works illuminate the range of French art over the course of a century of innovation.
The Essence of Line: French Drawings from Ingres to Degas is organized by The Baltimore Museum of Art and the Walters Art Museum.
This exhibition is generously supported by The Richard C. von Hess Foundation.
Additional support is provided by the National Endowment for the Arts.
February 27–May 15, 2005
SlideShow brings together the most significant slide works from the 1960s to the present in the first major exhibition to focus on slide projections in contemporary art. Blending aspects of photography, film, and installation art, SlideShow features works by an international group of artists, including James Coleman, Peter Fischli and David Weiss, Nan Goldin, and Dan Graham.
SlideShow is organized by The Baltimore Museum of Art.
The exhibition is generously sponsored by T. Rowe Price.
Additional support is provided by The Andy Warhol Foundation for the Visual Arts and Suzanne F. Cohen.
In Monet’s Light: Theodore Robinson at Giverny
October 17, 2004–January 9, 2005
This major exhibition organized by the BMA features 60 paintings, watercolors, drawings, and photographs by Theodore Robinson, the artist who brought Impressionism to the United States, and several stunning canvases by his mentor and friend, Claude Monet.
Generously sponsored by The Rouse Company and the Henry Luce Foundation.
Additional support provided by the Charlesmeade Foundation and the Terra Foundation.
The media sponsor is Comcast.
Kerry James Marshall: One True Thing, Meditations on Black Aesthetics
June 20–September 5, 2004
This mid-career retrospective of work by Chicago-based artist Kerry James Marshall features a major new body of work in painting, sculpture, photography, and video that demonstrates his ongoing engagement with ideas and images drawn from black history, identity, and cultural tradition. Marshall, a recipient of the coveted MacArthur “genius” award, is best known for his large-scale paintings that reflect his engagement with social history, the civil rights movement, and his experiences as an African American. This exhibition is organized by the Museum of Contemporary Art, Chicago.
Major support for the exhibition is provided by the Harris Family Foundation in honor of Bette and Neison Harris.
Additional support is provided by The Joyce Foundation, The Rockefeller Foundation, Peter Norton Family Foundation, The Boeing Company, and Loop Capital Markets.
In Baltimore, generously sponsored by Piper Rudnick LLP, The Wallace Foundation, and Brown Capital Management. Additional support provided by an anonymous donor and Dr. Freeman A. Hrabowski III.
Media sponsors are Comcast and The Afro-American Newspapers.
Work Ethic
October 12, 2003–January 4, 2004
Work Ethic brings together an international group of artists to explore the nature of "work" in artwork since the 1960s. Divided into four sections—Artist at Worker, Artist as Manager, Artist as Experience Maker, and Quitting Time—Work Ethic shows how there has been a fundamental shift in the role of the artist—and what is considered art—with the emergence of the Information Age.
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Work Ethic is organized by The Baltimore Museum of Art.
The exhibition will travel to premiere contemporary art venues around the country, including the Des Moines Art Center in Iowa (May 15, 2004-August 1, 2004) and the Wexner Center for the Arts in Columbus, Ohio (September 17, 2004-January 2, 2005).
Work Ethic is made possible by an Emily Hall Tremaine Exhibition Award and a grant from The Andy Warhol Foundation for the Visual Arts.
Additional support is provided by Howard S. Brown, Suzanne F. Cohen, Nancy Dorman and Stanley Mazaroff, Fifth Floor Foundation, the Friends of Modern Art at The Baltimore Museum of Art, and Katherine Hardiman.
Henry Moore. The Three Rings. 1966. The Baltimore Museum of Art: Gift of Ryda and Robert H. Levi, Baltimore, BMA 1987.225 ©The Henry Moore Foundation. This image must not be reproduced or altered without prior consent from the Henry Moore Foundation.
