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Public Domain

Théodore Caruelle d'Aligny

Landscape at Olevano

1819-1828

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Théodore Caruelle d'Aligny

Landscape at Olevano

1819-1828

Physical Qualities Graphite, Sheet: 275 × 448 mm. (10 13/16 × 17 5/8 in.)
Credit Line Blanche Adler Memorial Fund
Object Number 1976.29
Crest of a mountain or hilltop with sparse trees and cityscape in left background.
The Baltimore Museum of Art by purchase, 1976; Colnaghi & Co., London
Victor Carlson and Carol Hynning Smith, BMA, "Master Drawings and Watercolors of the Nineteenth and Twentieth Centuries"; circulated by the American Federation of Arts to the Guggenheim Museum, NY, 24 August - 7 October 1979; Des Moines Art Center, 19 November 1979 - 6 January 1980; Art Museum of South Texas, Corpus Christi, 8 February - 16 March 1980; Museum of Fine Arts, Houston, 1 May - 22 June, 1980; Denver Art Museum, 12 July - 24 August 1980.

BMA, "Master Drawings and Watercolors of the 19th and 20th Centuries from the Museum Collection," 14 October - 28 November, 1982.

Baltimore Museum of Art, 'Master Drawings by French Artists in the Museum's Collection', May 14-July 23, 1989.

Sona K. Johnson, BMA, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.

Jay McKean Fisher, William R. Johnston and Cheryl K. Snay, 'The Essence of Line: French Drawings from Ingres to Degas,' organized by The Walters Art Museum and The Baltimore Museum of Art, circulated to The Walters Art Museum June 19, 2005 - September 11, 2005, The Birmingham Museum of Art February 9, 2006 - May 4, 2006, Tacoma Art Museum June 9, 2006 - September 7, 2006.
Sona K. Johnson et al, "Barbizon and Impressionist Works from The Baltimore Museum of Art," Tokyo: "Barbizon and Impressionist Works from The Baltimore Museum of Art" catalogue committee, 2003, no. 20, p. 46, ill.
Fisher, Jay McKean, et al. The Essence of Line: French drawings from Ingres to Degas. University Park, PA: Pennsylvania State University Press, 2005, p. 142-45, ill.
Carlson, Victor, and Carol Hynning Smith. Master Drawings and Watercolors of the Nineteenth and Twentieth Centuries: The Baltimore Museum of Art. New York, NY: The American Federation of Arts, 1979, pp. 21, ill.

Inscribed: RECTO: BLC, (red stamp), 'THre ALIGNY' [Lugt 6] / graphite, 'à Olevano'.

Markings: Watermark: LA BRIGLIA / anchor in circle

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