Tiffany Studios
Standing Lamp
1905-1909
Physical Qualities
Stained glass, copper foil, cast bronze, 62 x 22 1/2 x 22 1/2 in. (157.5 x 57.2 x 57.2 cm)
Credit Line
Gift of Mrs. Henry F. Westheimer
Object Number
1972.60
Today, Louis Comfort Tiffany’s name is most closely associated with hundreds of glorious stained glass lamps, each one a masterful orchestration of vibrant color with subdued form. Under his leadership, teams of skilled designers and craftspeople helped transform his broad vision into beautiful objects. Tiffany Studios offered both stock and custom lamps available as floor, table, or hanging models. The BMA example is quite rare – only two or three are known. The imagery – a spring woodland with iris in bloom under spreading trees – resonates with Tiffany’s large landscape windows produced for domestic interiors. Surviving studio inventory records show that this lamp shade, never given a title as many other shades were, was model #1550. The base, recorded as “Bamboo,” was model #473. Customers could select both shade and base, helping to explain the infinite variety found in surviving Tiffany lamps.
The Baltimore Museum of Art, "Art Nouveau from Maryland Collection", July 10-September 2, 1979, cat # 50.
The Baltimore Museum of Art, "Revelations of True Beauty: The Art of Louis Comfort Tiffany", February 5-April 23, 1989.
The Baltimore Museum of Art, "Revelations of True Beauty: The Art of Louis Comfort Tiffany", February 5-April 23, 1989.
William Feldstein, Jr & Alistair Duncan, The Lamps of Tiffany Studios, 1983, pp. 1222 & 123 (illustrated shade only). The News American, July 22, 1979, p. 6F. Norman Porter & Douglas Jackson, Tiffany Glassware, p. 74 (shade only illustrated).
Inscribed: Marked on base & rim of shade: 'Tiffany Studios, New York'; also on rim: '780 N10 678'