Alison Saar

Strange Fruit

1994

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Alison Saar

Strange Fruit

Alison Saar

Strange Fruit

1994

Physical Qualities Tin alloy, wood, dirt, found objects, rope, and paint, 76 x 21 x 14 in. (193.1 x 53.4 x 35.6 cm.)

Credit Line Contemporary Art Endowment Fund

Object Number 1995.122

Phyllis Kind Gallery, "Alison Saar: Strange Fruit," New York, Sept. 23-Nov. 4, 1995.
Jo Anna Isaak, Hobart and William Smith Colleges, 'Looking Forward Looking Black,' The Baltimore Museum of Art, February 6, 2002 - May 5, 2002.

Ackland Art Museum, Chapel Hill, NC, "Family Legacies: The Art of Betye, Lezley and Alison Saar," December 19, 2005 - March 26, 2006.

The Mary and Leigh Block Museum of Art, "A Site of Struggle: American Art Against Anti-Black Violence" January 22, 2022 - July 10, 2022 circulated to Montgomery Museum of Fine Arts, August 13, 2022 - November 6, 2022.

Pepe Karmel, "Behind Folk Forms, Classical Modes," The New York Times, Oct. 27, 1995.

Darnell Burfoot, "Alison Saar and Terry Winters," "Newsletter of the Print & Drawing Socity of The Baltimore Musuem of Art," Vol. XVI, No. 2, April 1999, ill.

Jessica Dallow and Barbara C. Matilsky, "Family Legacies: The Art of Betye Lezley and Allison Saar," Seattle: University of Washington Press: 2006, ill.

Baltimore Museum of Art. The Baltimore Museum of Art: Celebrating a Museum. Baltimore: The Baltimore Museum of Art, 2014.

Dees, Janet (editor). A Site of Struggle: American Art Against Anti-Black Violence. Evanstan, IL: Mary and LeighBlock Museum of Art, Northwestern University, 2022. ill. p. 117.