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Press Room

BMA Hosts "Art After Hours: Future/Nature” on November 3

Published October 17, 2017

Explore the collision of art, science, and nature with a fun art-filled evening for ages 21 and over. The Baltimore Museum of Art’s (BMA) next Art After Hours on November 3 is inspired by the art in four amazing exhibitions: iridescent spheres and spider webs in Tomás Saraceno: Entangled Orbits; colorful, swirling collages in Spiral Play: Loving in the ‘80s; digitally produced textiles and sculptures in Annet Couwenberg: From Digital to Damask; and the intense, immersive environment of Phaan Howng: The Succession of Nature. This popular event is held 8–11 p.m. and includes DJ, light refreshments, and a cash bar. Tickets are $25 general admission and $20 for BMA Members and available at artbma.org.

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The BMA Launches The Necessity of Tomorrow(s) Conversation Series this fall with Mark Bradford

Published October 5, 2017

On Saturday, November 11, The Baltimore Museum of Art (BMA) is launching a series of free creative conversations and social events that brings together nationally recognized artists, writers, and thought-leaders to consider key ideas at the intersection of art, race, and social justice—and imagining the futures we want.
The Necessity of Tomorrow(s) speaker series will kick off with a conversation between acclaimed artist Mark Bradford and BMA Dorothy Wagner Wallis Director Christopher Bedford, who most recently collaborated on the BMA’s presentation of the U.S. Pavilion at the 2017 Venice Biennale. Drawing on themes explored in Bradford’s installation, Tomorrow Is Another Day, their conversation will focus on the topic of making a path to power where none has existed before, a theme often explored in Bradford’s work.

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BMA Debuts New Suite of Paintings by Acclaimed Artist Njideka Akunyili Crosby

Published October 2, 2017

This fall The Baltimore Museum of Art (BMA) presents a suite of new monumental paintings from Los Angeles-based artist Njideka Akunyili Crosby. On view in the contemporary wing from October 25, 2017 through March 18, 2018, Front Room: Njideka Akunyili Crosby | Counterparts includes six visually stunning mixed-media paintings on paper that draw upon the artist’s experience of moving from Nigeria to the United States, maintaining ties with her family in Nigeria, and building relationships in America. Akunyili Crosby will give a free talk about her work at the Maryland Institute College of Art’s Falvey Hall auditorium on Wednesday, October 25 at 6 p.m. The program is presented in partnership with Maryland Institute College of Art Painting Department.

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BMA And Los Angeles-Based Art + Practice Present Spiral Play: Loving In The ‘80s

Published September 12, 2017

The Baltimore Museum of Art (BMA) presents 12 exuberant collages by the late African American artist Al Loving in Spiral Play: Loving in the ‘80s, on view October 18, 2017 through April 15, 2018. The exhibition reveals the artist working free from the constraints of academic taste, conventional thought, commercial reward, and the four corners of the canvas with three-dimensional works that nearly leap off the wall with their brilliant colors and radical forms. The exhibition is presented by the BMA and the Los Angeles-based arts and education nonprofit, Art + Practice (A+P), which debuted the show in April 2017.

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BMA Presents New Exhibition by Internationally Acclaimed Artist Tomás Saraceno

Published September 7, 2017

The Baltimore Museum of Art (BMA) has commissioned a major new work by internationally acclaimed artist Tomás Saraceno for an exhibition that will dramatically change the East Lobby and several galleries. Tomás Saraceno: Entangled Orbits, on view October 1, 2017 through June 2018, brings together a group of fascinating sculptural works by the Argentinian artist and trained architect who is also a pioneer in scanning, reconstructing, and reimagining spider webs and possesses the only three-dimensional spider web collection in existence.

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BMA Appoints Seven New Members to its Board of Trustees

Published August 22, 2017

The Baltimore Museum of Art (BMA) announced today seven new trustees have joined its board: Heidi Berghuis, Maya Rockeymoore Cummings, Brooke Lierman, David H. Milton, Adam Pendleton, Scott Schelle, and Wilma Bulkin Siegel. These will join Board Chair Clair Zamoiski Segal and Dorothy Wagner Wallis Director Christopher Bedford and 40 other active trustees in leading the BMA. The Board of Trustees is responsible for the governance and oversight of the museum, fostering ongoing support for the BMA’s ambitious mission and vision. This diverse group is comprised of regional and national leaders in art, philanthropy, and business who are deeply engaged and committed to ensuring the long-term strength of the museum.

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BMA Showcases Stunning Japanese Kimono and Obi with New Google Arts & Culture Online Exhibition

Published June 8, 2017

The BMA is showcasing Kimono and Obi: Romantic Echoes from Japan’s Golden Age, as part of We wear culture, a Google Arts & Culture project launching today that uses state-of-the-art technology to present 3,000 years of fashion in the world’s largest virtual exhibition of style.

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The BMA Presents the Work of Contemporary Artist Annet Couwenberg Beginning August 16

Published May 30, 2017

The BMA presents Annet Couwenberg: From Digital to Damask, an intimate exhibition of 10 extraordinary works by Maryland-based artist Annet Couwenberg. On view August 16, 2017–February 18, 2018, the exhibition shows how art, science, and history can produce fascinating innovations in textiles.

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The Work of Contemporary Artists Kara Walker And Hank Willis Thomas Come Together in Installation at the BMA

Published May 30, 2017

The BMA presents two compelling works that explore the legacy of slavery in America in Black Box: Kara Walker & Hank Willis Thomas. On view June 28, 2017–March 18, 2018, the installation brings together Kara Walker’s Salvation, one of the most significant works in the BMA’s contemporary collection, and Hank Willis Thomas’ And I Can’t Run, a recent promised gift to the museum.

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The BMA Presents the Work of Influential Photographers Harry Callahan, Aaron Siskind, and Minor White

Published May 11, 2017

The Baltimore Museum of Art (BMA) explores abstraction through more than 40 photographs by three of the most important and influential American photographers of the 20th century: Harry Callahan, Aaron Siskind, and Minor White. Black, White & Abstract: Callahan, Siskind, White, on view May 17-October 1, 2017, is drawn from the museum’s Prints, Drawings & Photographs collection, considered one of the most significant holdings of works on paper in the country. Acquired in 2012, Minor White’s nine-part sequence The Sound of One Hand Clapping, Sequence 14 has never before been on view at the museum.

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Advance Exhibition Schedule and Calendar

The Advance Exhibition Schedule is current as of October 2017 and is subject to change. Please verify all information with BMA Communications before publishing.

Advance Exhibition Schedule 2017 (PDF)