Max Weber
Avoirdupois
1914
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Max Weber
Avoirdupois
1914
Physical Qualities
Oil on canvas, Unframed: 21 1/4 × 18 1/4 in. (54 × 46.4 cm.)
Framed: 29 3/16 × 26 1/4 × 2 3/8 in. (74.1 × 66.7 × 6 cm.)
Credit Line
Purchase with exchange funds from Bequest of Mabel Garrison Siemonn in Memory of her Husband, George Siemonn
Object Number
1970.31
Avoirdupois features many puns. The French term refers to a system of weights; but can also be translated as "to have some peas," which explains the dish containing shelled green peas hanging in the balance. Avoirdupois can suggest being overweight - and Max Weber, advocate of avant-garde art, was among the young artists who dismissed earlier academic works as bloated and out of date.
Among the foremost American artists, Weber was an influential force in the development of modernism in the United States. Studying in Paris, France, by 1905 he encountered the revolutionary work of Paul Cezanne, Paul Gauguin, and the Fauves, who emphasized strong color over realistic palettes. He also studied briefly with Henri Matisse and absorbed the lessons of Cubism in the work of Pablo Picasso and Georges Braque.
Museum of Modern Art, "Max Weber, retrospective exhibition, 1907-1930," March 13-April 2, 1930, New York
Darsie Alexander, BMA, 'Mechanical Form/Mechanical Vision,' December 12, 2001-April 7, 2002.
Percy North, BMA, "Max Weber: Bringing Paris to New York," March 3 - June 30, 2013.
Mark D. Mitchell, Philadelphia Museum of Art, "Audubon to Warhol: The Art of American Still Life," October 27, 2015-January 10-2016.
Darsie Alexander, BMA, 'Mechanical Form/Mechanical Vision,' December 12, 2001-April 7, 2002.
Percy North, BMA, "Max Weber: Bringing Paris to New York," March 3 - June 30, 2013.
Mark D. Mitchell, Philadelphia Museum of Art, "Audubon to Warhol: The Art of American Still Life," October 27, 2015-January 10-2016.
"Max Weber, retrospective exhibition, 1907-1930," Museum of Modern Art:New York, NY, 2017, p. 18, cat. no. 36
Alfred Werner, "Max Weber," Harry N. Abrams, Inc., New York, 1975, color plate #64.
Percy North, "Max Weber," High Museum of Art, Atlanta, GA, 1991, p. 75, b&w ill.
Mark D. Mitchell, "The Art of American Still Life, Audobon to Warhol," Philadelphia: Philadelphia Museum of Art, 2015, pp. 255, plate 126, ill.
Inscribed: Signature, recto: "MAX WEBER 1915" Within artwork: "AVOIRDUPOIS" in red paint