Skip to main content
Female Ancestor Figure (Bateba Phuwe) - Image 1
Female Ancestor Figure (Bateba Phuwe) - Image 2
Female Ancestor Figure (Bateba Phuwe) - Image 3
Female Ancestor Figure (Bateba Phuwe) - Image 4
Female Ancestor Figure (Bateba Phuwe) - Image 5
Female Ancestor Figure (Bateba Phuwe) - Image 6

Lobi

Female Ancestor Figure (Bateba Phuwe)

Lobi and other group identifications, 1900-1932

Thumbnail 1
Thumbnail 2
Thumbnail 3
Thumbnail 4
Thumbnail 5
Thumbnail 6
Scroll

Lobi

Female Ancestor Figure (Bateba Phuwe)

Lobi and other group identifications, 1900-1932

Physical Qualities Wood, 23 1/2 in. (59.7 cm.)
Credit Line Gift of Robert and Mary Cumming, Baltimore
Object Number 1983.66
Lobi artists rely on divine inspiration. When facing illness, stress, or unusual encounters with nature, a person might consult a diviner to connect with a spirit that would dictate the kind of sculpture it would like as an offering. This particular artist interpreted the spiritual guidance to create an evocative figure with high hips, tense shoulders, and shortened arms held tight to the body. The person seeking divine assistance then placed this female figure in a family or village shrine. Once the problem was solved, the sculpture would no longer have been needed and would have been left to decay or sold to a trader. This figure’s presence at the BMA suggests that a prayer was answered. Field photo: Photograph: P. Meyer, Kunst und Religion der Lobi, 1981
Purchased from Issaka Zango, New York; ex J.J. Klejmann Gallery, New York
African Reinstallation, "Sacred Art," Apr 2015, Wurtzburger Galleries, Kathryn Gunsch.
Frederick John Lamp, "See the Music Hear the Dance: Rethinking African Art at the Baltimore Museum of Art." New York: Prestel, 2003, p.159,ill.

Culture

Lobi

2000–2000

Meet Lobi

Explore the Collection Further

Lobi
High-Backed Seat
1919–1959
Bwa and Lobi
Seat
1899–1979
Sebald Beham
Nude Winged Female Sitting on the Figure of Death
1545