Water-Moon Guanyin (Shuiyue Guanyin)
1400-1499
Physical Qualities
Metal alloy, originally gilded, with blue and red pigment, 61 3/4 x 41 x 33 in. (156.8 x 104.2 x 83.8 cm.); weight estimated at 1,000 lbs.
Credit Line
Julius Levy Memorial Fund
Object Number
1944.80
Guanyin attained enlightenment with the guidance of the Amitabha Buddha, the Buddha of Infinite Light, but rather than enter the eternal bliss of nirvana, remains in this world to relieve the suffering of all creatures. Able to assume many guises, she is portrayed here as Water Moon Guanyin, known to sit in a rocky grotto at the water’s edge beneath the full moon. She contemplates the moon’s ephemeral reflection at her feet. Strands of beaded jewelry, flowing robes, long fleshy earlobes, long hair, and bare feet are familiar attributes of Guanyin. Her slight smile invites the confidence of the faithful, while her downcast eyes survey the emptiness of existence.
Within a larger temple complex, this Water-Moon Guanyin would have occupied a north-facing altar behind the Buddha altar, in a passage-hall with both a front and rear door. There, faithful followers venerated Water-Moon Guanyin by walking in a circle around the back-to-back altars in an effort to be reborn in Amitabha’s Western Paradise. Credited with providing children, easing childbirth, restoring health, and averting natural disasters, Guanyin’s popularity remains second to Buddha’s across most of Asia.
The Baltimore Museum of Art by purchase, 1944; Tonying & Co., New York
"The Baltimore Museum of Art News," May 1944.
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BMA Today, issue 159 (winter/spring 2019): p. 12.
"Water-Moon Guanyin," BMA Today, no. 168, Spring 2022, p. 3, ill
BMA Today, no 168 (summer 2022): p. 3.