Spencer Finch. Moon Dust (Apollo 17). 2009. Installation view at The Baltimore Museum of Art. Collection of Joanne Gold and Andrew Stern. Courtesy the artist and Galerie Nordenhake Berlin/ Stockholm. © Spencer Finch. Photography by Mitro Hood.
Spencer Finch. Moon Dust (Apollo 17). 2009. Installation view at The Baltimore Museum of Art. Collection of Joanne Gold and Andrew Stern. Courtesy the artist and Galerie Nordenhake Berlin/ Stockholm. © Spencer Finch. Photography by Mitro Hood.

Dramatic light work created for 2009 Venice Biennale will be on view for seven years

BALTIMORE, MD (January 10, 2018)—The Baltimore Museum of Art (BMA) is transforming Fox Court, the stately columned lobby in the 1929 building designed by John Russell Pope, for the next seven years with an extraordinary light work by acclaimed artist Spencer Finch. On view February 21, 2018 through October 14, 2024, Spencer Finch: Moon Dust presents an abstract sculpture comprised of 417 LED light bulbs that together represent the molecular structure of the moon dust gathered from NASA’s 1972 Apollo space mission. Finch’s installation conveys scientific information and offers a poetic experience as its glowing composition evokes the sensation of being immersed in a star-filled sky.

“This magical work of art will provide visitors with a dazzling, transcendent experience in the BMA’s neoclassical building,” said BMA Dorothy Wagner Wallis Director Christopher Bedford. “We are thrilled that it will illuminate the museum for such an extended period of time and are very grateful to Baltimore collectors Joanne Gold and Andy Stern who have made this long-term loan possible.”

First presented at the 2009 Venice Biennale, Moon Dust (Apollo 17) creates a precise, three-dimensional scale model of the moon’s atomic makeup. Finch represents the chemical elements of moon dust with light bulbs in varied sizes, arranging them on fixtures in patterns that mimic their bonds in molecules. The differently sized bulbs correspond to the relative weights of elements; the smallest indicating oxygen and the largest signifying both iron and chromium.

“The embrace of rational thought and wonder within Moon Dust’s welcoming expanse of light is an amazing metaphor for the discovery and delight that occurs throughout a visit to a museum like the BMA,” said Senior Curator of Contemporary Art Kristen Hileman. “It has been very rewarding to work with Spencer Finch and the lenders to adapt the piece to the specific architectural context of the BMA’s original building.”

Moon Dust (Apollo 17) is on extended loan from the collection of Joanne Gold and Andrew Stern, who are generously sponsoring its presentation at the BMA in loving memory of Lenore E. Gold.

Spencer Finch
With both a scientific approach to gathering data and a true poetic sensibility, Spencer Finch’s (American, b. 1962)
installations, sculptures, and works on paper filter perception through the lens of nature, history, literature, and personal experience. Finch’s work has been a part of Baltimore’s cityscape since 2012, when Johns Hopkins Hospital unveiled the artist’s 25,000-square-meter glass façade for its medical center on Broadway. Other major projects include Painting Air, an installation at the Rhode Island School of Design Museum of Art in which more than 100 panels of suspended glass refract and distort an abstract mural inspired by the colors of Claude Monet’s garden at Giverny; Lunar, a large sculpture commissioned by the Art Institute of Chicago that gathers sunlight during the day and releases that solar energy as a glow at the precise color temperature of a full moon; and The River That Flows Both Ways, an installation on New York’s High Line that transforms a series of windows with 700 individual panes of glass representing various water conditions on the Hudson River.

Spencer Finch has had extensive international solo exhibitions and projects including The Western Mystery at Seattle Art Museum, Seattle, WA (2017); A Certain Slant of Light, The Morgan Library & Museum, New York, NY
(2014); Spencer Finch: The Skies can’t keep their secret, Turner Contemporary, Margate, UK (2014); Spencer Finch: My Business, with the Cloud, Corcoran Gallery of Art, Washington, DC (2010); and As if the sea should part And show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009). He has taken part in numerous group exhibitions at The Fruitmarket Gallery in Edinburgh, UK; The Solomon R. Guggenheim Museum in New York, NY; 53rd International Art Exhibition at La Biennale di Venezia; and the Turin Triennial. His work can be found in the collections of the Hirshhorn Museum and Sculpture Garden, Washington, DC; the High Museum of Art, Atlanta, GA; the Museum für Moderne Kunst, Frankfurt, Germany; The Kemper Museum of Art, St. Louis, MO; The Rhode Island School of Design Museum of Art, Providence, RI; the Museum of Contemporary Art in Chicago, IL; and the Solomon R. Guggenheim Museum. Finch lives and works in Brooklyn, New York.

About the Baltimore Museum of Art

Founded in 1914, the Baltimore Museum of Art (BMA) inspires people of all ages and backgrounds through exhibitions, programs, and collections that tell an expansive story of art—challenging long-held narratives and embracing new voices. Our outstanding collection of more than 97,000 objects spans many eras and cultures and includes the world’s largest public holding of works by Henri Matisse; one of the nation’s finest collections of prints, drawings, and photographs; and a rapidly growing number of works by contemporary artists of diverse backgrounds. The museum is also distinguished by a neoclassical building designed by American architect John Russell Pope and two beautifully landscaped gardens featuring an array of modern and contemporary sculpture. The BMA is located three miles north of the Inner Harbor, adjacent to the main campus of Johns Hopkins University, and has a community branch at Lexington Market. General admission is free so that everyone can enjoy the power of art.

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