Masks must be worn at all times inside of the Museum and reservations are required to visit our galleries. Get your free passes.
Tomas Saraceno. Entangled Orbits at the Baltimore of Art, October 2017. Photo by Mitro Hood.
Tomas Saraceno. Entangled Orbits at the Baltimore of Art, October 2017. Photo by Mitro Hood.

BALTIMORE, MD (September 6, 2017)—The Baltimore Museum of Art (BMA) has commissioned a major new work by internationally acclaimed artist Tomás Saraceno for an exhibition that will dramatically change the East Lobby and several galleries. Tomás Saraceno: Entangled Orbits, on view October 1, 2017 through June 2018, brings together a group of fascinating sculptural works by the Argentinian artist and trained architect who is also a pioneer in scanning, reconstructing, and reimagining spider webs and possesses the only three-dimensional spider web collection in existence.

The centerpiece of the exhibition is Entangled Orbits, which combines clusters of iridescent-paneled modules suspended within a net of strings reminiscent of a “spider web.” It will be woven on-site across a two-story open area in the East Lobby. This work is accompanied by three installations in the European Art galleries that further demonstrate the artist’s interest in structures of the natural world—clouds, bubbles, and spider webs. These include an elaborate sculptural spider web made by two species of spiders and encased in a suspended vitrine, abstract sculptures that recall planetary systems and early 20th-century modernist designs, and a complex installation of suspended iridescent inflatables anchored with a web of strings that visitors will navigate through in the gallery. These works are on view through April 29, 2018.

Entangled Orbits demonstrates the museum’s commitment to presenting work by living artists in public spaces and the idea that art should be the first thing you see when you enter the museum and the last thing as you leave,” said BMA Dorothy Wagner Wallis Director Christopher Bedford. “This commission is the first bold expression of that commitment.”

“Tomás Saraceno, his studio team, and an expert group from the BMA have spent many hours developing a highly complex and fascinating series of installations that will transform a number of the museum’s spaces in thoroughly unexpected ways,” said BMA Senior Curator of Contemporary Art Kristen Hileman. “The result will be sculptural environments that immerse visitors in a magical combination of art, architecture, and science.”

Tomás Saraceno: Entangled Orbits is generously sponsored by the Richard C. von Hess Foundation. Additional support is provided by Joanne Gold and Andrew Stern

Tomás Saraceno
Berlin-based artist Tomás Saraceno (b. 1973, Argentina) takes inspiration in the adaptability, integrity, and beauty of such natural formations as molecular chains, clouds, and spider webs. He creates drawings, sculptures, and site-specific installations that apply these natural structures to the problem of developing alternative constructions for living that would enable humans to more responsively and responsibly inhabit the planet. Although grounded in science and observation, Saraceno’s vision is expansive, including a strong sense of aesthetics and an openness to utopian solutions. His work has been exhibited at The Metropolitan Museum of Art; the Grand Palais, Paris; the NTU Centre for Contemporary Art Singapore; and many other venues around the world. The artist has participated in the International Space Studies Program at NASA’s Ames Research Center and held residencies at Centre National d’Études Spatiales in Paris and MIT’s Center for Art, Science & Technology. In 2009, he presented a major installation at the 53rd Venice Biennale and was awarded the prestigious Calder Prize. Saraceno’s work is found in the collections of The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis; among other distinguished institutions.

About the Baltimore Museum of Art

Founded in 1914, the Baltimore Museum of Art (BMA) inspires people of all ages and backgrounds through exhibitions, programs, and collections that tell an expansive story of art—challenging long-held narratives and embracing new voices. Our outstanding collection of more than 95,000 objects spans many eras and cultures and includes the world’s largest public holding of works by Henri Matisse; one of the nation’s finest collections of prints, drawings, and photographs; and a rapidly growing number of works by contemporary artists of diverse backgrounds. The museum is also distinguished by a neoclassical building designed by American architect John Russell Pope and two beautifully landscaped gardens featuring an array of modern and contemporary sculpture. The BMA is located three miles north of the Inner Harbor, adjacent to the main campus of Johns Hopkins University, and has a community branch at Lexington Market. General admission is free so that everyone can enjoy the power of art.

Download PDF

Press Contacts

For media in Baltimore:

Anne Brown
Baltimore Museum of Art
Senior Director of Communications
abrown@artbma.org
410-274-9907

Sarah Pedroni
Baltimore Museum of Art
Communications Manager
spedroni@artbma.org
410-428-4668

For media outside Baltimore:

Alina Sumajin
PAVE Communications

alina@paveconsult.com
646-369-2050