Valerie Maynard: Lost and Found

Lost and Found is the catalogue for the one-gallery retrospective of the same name celebrating the six-decade career of Baltimore-based printmaker and sculptor Valerie Maynard. The exhibition features a range of works drawn largely from her studio, including the landmark No Apartheid series from the 1980s and 1990s, which embodies her unique ability to combine diverse techniques (assemblage, pochoir, and monotype) into both deeply personal and profoundly political new forms of art on paper.

This fully illustrated catalogue, published by the BMA, features essays by Bill Gaskins, Edward Spriggs, Nikky Finney, and Alexis De Veaux.