Henri Matisse (1869–1954) is widely recognized as one of the most influential artists of the 20th century. Renowned for his bold use of color and expressive line, Matisse helped shape the direction of modern art through his innovative techniques and diverse body of work. He worked easily across media, producing paintings, sculpture, drawings, prints, and illustrated books. Throughout his long career, Matisse produced landscapes, still lifes, and interiors, but is best known for his depictions of women in interior settings. The BMA is home to the most extensive public collection of Matisse works in the world—more than 1,400 works of art.

Early Life and Artistic Awakening

Born in Le Cateau-Cambrésis, a small town in northern France, Matisse initially pursued a career in law. His life changed at about the age 20 when, while recovering from appendicitis, he received a paint box—a gift from his mother—that ignited his passion for art and set him on a new path.

Fauvism and the Rise of a Radical Style

In the early 1900s, Matisse emerged as a leader of Fauvism, a movement characterized by a departure from realistic depictions of figures, defining subjects and space with bold colors and lines. The Fauves (“wild beasts”) challenged traditional artistic norms, and Matisse’s work from this period often shocked critics. His commitment to exploring color, form, pattern, and decoration remained central throughout his career.

Artistic Exploration in the South of France

During World War I, Matisse created some of his most experimental works, blurring the line between representation and abstraction. In 1917, he visited Nice, where the Mediterranean light and atmosphere deeply inspired him. He spent much of his later life in southern France, working in both Nice and Vence.

Reinvention Through Paper Cut-Outs

In the 1940s, declining health led Matisse to abandon oil painting and develop a new technique: paper cut-outs. Often referred to as “drawing with scissors,” these vibrant compositions distilled his lifelong fascination with color, line, and shape. Today, these late works are considered some of his most iconic and innovative.

Matisse and Baltimore

Matisse’s connection to Baltimore began in 1906, when he met Etta Cone and her sister Claribel Cone, two passionate collectors of modern art who would become his most loyal patrons.

Matisse referred to Etta and Claribel as “my two Baltimore ladies.” They visited his studio, supported his career financially, and acquired over 600 of his works, including paintings, drawings, sculptures, and prints, including

After Claribel died in 1929, Matisse visited Baltimore in 1930 to pay his condolences. For the first time, he saw the collection that the two sisters had created, with works by his colleagues, his artistic heroes, and himself.

Recognizing the opportunity to leave a lasting legacy, Matisse worked closely with Etta to strengthen her holdings. Upon her death in 1949, she bequeathed more than 600 works by Matisse to the BMA. To this incredible group of objects, the BMA has added more than 800 works by the artist over the years, many of them from the artist’s family. Today, the BMA cares for over 1,400 works by Henri Matisse—the largest public collection of his art in the world.

Discover Henri Matisse at the BMA

Center for Matisse Studies

Explore a dedicated exhibition gallery, study spaces, and research resources designed for visitors, students, and scholars eager to dive deeper into Henri Matisse's artistry.

What's on View

Visit the BMA to experience exhibitions and installations inspired by Matisse’s groundbreaking work.

Search the Collection

Browse a vibrant selection of sculptures, prints, and paintings by Henri Matisse from the BMA’s renowned collection.

Image: Henri Matisse next to Reclining Nude I (Aurore) in Claribel Cone’s apartment at the Marlborough Apartments during his visit to Baltimore, December 17, 1930. Dr. Claribel Cone and Miss Etta Cone Papers, Archives and Manuscripts Collections, The Baltimore Museum of Art, Box 29, Folder 2, CP29.2.3